A few photos from the Machined Music event at Berlin Science Week: talk with Moisés Horta Valenzuela, Tom Burgert, and myself moderated by Claudia Schnugg followed by a performance by Moisés AKA Hexorcismos using Semilla. Event curated by Micheal Fowler.…
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Machined Music: panel discussion at Berlin Science Week
Tonight, 4 Nov 2022, at Berlin Science Week I’m going to have a conversation with Claudia Schnugg, Tom Burgert, and Moisés Horta Valenzuela about using algorithms in music research and practice.08.00 PM – 09.30 PM, Invalidenstraße 43, BerlinFrom the Berlin…
Successful funding application
The news are in: our proposal titled “Music of the Indeterminate Place: telematic performance and composition intersecting physical and network spaces” was awarded a 3-year artistic research grant from the Swedish Research Council! This will support a very substantial amount…
Hyperorgan interactions, suspended choirs, and the The Tale of the Great Computing Machine
Back in Berlin after a few days of work down in the R1 Reaktorhallen, KTH KTH Royal Institute of Technology for a unique opera piece: The Tale of the Great Computing Machine. A project led by Åsa Unander-Scharin and Carl…
Physically Distant #3: the network, the pandemic, and telematic performance
PD#3 will be part of Ecology, Site And Place – Piteå Performing Arts Biennial 2020. Participation in the conference is free, but registration is compulsory. Register by sending an email to piteabiennial@gmail.com After the two previous editions in June and July,…
SloMo study #2
This piece was performed at NIME 2018 (both at the Virginia Tech’s Moss Arts Center and at the NIME performance night organised by University of Virginia in Charlottesville) and at MOCO 2018, held at InfoMus – Casa Paganini. I composed…